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Rebecca
On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband’s home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.
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Reviews
A brilliantly constructed novel - the ultimate in psychological suspense, instantly gripping and haunting, Rebecca will stay with you for ever.
Addictive and breathtaking. Its blending of melodrama and subtlety is ingenious. The Cornish setting never quite leaves the imagination
Addictive and breathtaking
A mesmerising novel which reveals more on each reading
From the opening sentence - "Last night I dreamed I went to Manderley again" - to the final - "And the ashes blew towards us with the salt wind from the sea" - I was hooked ... Rebecca is one of the underrated classics of the 20th century ... Rebecca is a masterpiece in which du Maurier pulls off several spectacular high-wire acts that many great writers wouldn't attempt
One of the most influential novels of the twentieth century, Rebecca has woven its way into the fabric of our culture with all the troubling power of myth or dream. A stunning book
Her masterpiece . . . Seldom has a dead woman exercised such power beyond the grave. Rebecca will live for ever because du Maurier touches a fearful nerve, buried deep in the unconscious
As a new generation of readers are introduced to the wicked housekeeper Mrs Danvers and learn Maxim de Winter's terrible secret, this chilling, suspenseful tale is as fresh and readable as it was when it was first written.
Excellent entertainment . . . du Maurier created a scale by which modern women can measure their feelings.
I loved the fact that at the start of the story, Rebecca is dead and yet she influences every action and thought of all the other characters in the book. The moment I finished this story, I turned to page one and started it over again.
What she did was build emotional landscapes that can be entered at will, in which difficult and untamable desires were given free rein. Maybe because of her relationship with gender, she was able to make worlds in which people and even houses are mysterious and mutable, not as they seem; haunted rooms in which disembodied spirits sometimes dance at absolute liberty
With one of the most evocative first lines ever, Daphne du Maurier's fifth novel has everything a reader could ask for . . . Psychologically astute and disturbingly romantic, Rebecca was an immediate bestseller on publication in 1938 and has cast a sinister spell ever since
It is the greatest psychological thriller of all time. I see du Maurier as a forerunner to Patricia Highsmith, Ruth Rendell, Gillian Flynn: she is the giant whose magnificent shoulders the rest of us stand upon
Her masterpiece . . . Seldom has a dead woman exercised such power beyond the grave. Rebecca will live for ever, because du Maurier touches a fearful nerve
