In celebration of World Poetry Day . . .

A beautiful and inspiring collection of poetry by Maya Angelou, author of I KNOW WHY THE CAGED BIRD SINGS and 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).

'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya Angelou

Maya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longing, partings; of Saturday night partying, and the smells and sounds of Southern cities; of freedom and shattered dreams.

'Her poetry is just as much a part of her autobiography as I Know Why the Caged Bird Sings and the volumes that follow.' Kirkus

'It is true poetry she is writing . . . it has an innate purity about it, unquenchable dignity' M. F. K. Fisher

'A superb version . . . subtle, beautiful, precise, moving' THE TIMES

The definitive complete translation of Sappho, by one of the world's greatest living poets

Not much is known about Sappho, the great poetess of Ancient Greece. Her relationships, her queerness, her family, her death - all these details are hazy, lost to time. Likewise, of the nine scrolls of lyrics Sappho is said to have composed during her life on the island of Lebsos, only one poem has survived complete - the rest are fragments.

In If Not, Winter, Anne Carson has collected and translated all the surviving fragments of Sappho's verse. With the original Greek parallel to each poem, Carson leaves brackets and white space to signal the gaps where text has been lost to time - allowing us to imagine the poems as they were written.

With her singular style and extensive translator's notes, Carson pieces together the voice of Sappho. And through her, Sappho's reflections on love and desire, suitors and rivals, goddesses and daughters, echo through millennia.

'The beautiful blur of Sappho's work, the rhythms, the ornate grammar, the singing sounds she teases out of rare words . . . are impossible to match' DAILY TELEGRAPH

'Imaginatively presented and superbly prefaced, this collection is both heartrending and uplifting' INDEPENDENT

'A defining translation' THE CAMBRIDGE COMPANION TO SAPPHO

'Anne Carson's translations of Sappho are small miracles of vividness' EMILY ROBINSON, ANNE CARSON: ECSTATIC LYRE

'[Carson's] command of language is honed to a perfect edge and her approach to the text, respectful yet imaginative, results in verse that lets Sappho shine forth' LOS ANGELES TIMES

'A spare and elegant rendering of every word of Sappho's that has come down to us' MERYL ALTMAN, A WOMAN'S REVIEW OF BOOKS

'A haunting translation' LONDON REVIEW OF BOOKS

From the author of The Handmaid's Tale and Dearly

I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.

Eating Fire brings together three of Margaret's Atwood's key poetry collections: Poems 1965-1975, Poems 1976-1986 and Morning in the Burned House.

The landscape of Atwood's poetry is one of bus trips and postcards, wilderness, glass, and fires both savage and tender. Atwood's signature themes resound throughout all of them: the politics of sex, the darkness at the heart of every fairytale, and the pain - and triumph - of existing as a woman.

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'Atwood is the quiet Mata Hari, the mysterious, violent figure . . . who pits herself against the ordered too-clean world like an arsonist' - Michael Ondaatje

'Detached, ironic, loving by turns . . . poems that sing off the page and sting' - Michèle Roberts

Josephine Hart, author of the bestselling novel Damage, had what she called 'a long love affair' with poetry. It was an affair that started as a child and lasted until her untimely death at the age of sixty-nine in 2011. She said 'I was a word child' growing up in Ireland 'a country of word children where life was language before it was anything else'. As a teenager and later she found the poetry of Eliot, Larkin, Yeats and others a lifeline,'a route map through life'.

In the late 1980s, Hart, by now a successful West End theatre producer, began a hugely popular event in which actors read the words of the great poets to an enraptured audience. In 2004, The Josephine Hart Poetry Hour moved to the British Library, where it remains today. By her own admission, Josephine Hart gave 'dead poets society' . But she also gave them intelligent and exciting introductions; all of which are now collected here in this volume. They are insightful, even great, works in their own right.

Life Saving leaves us an inspiring legacy. It takes us on a journey of the imagination to some of the greatest poems written in the English language and allows us to understand, intuitively and deeply, why poetry matters.