NEW YORK CITY
Winter solstice, 21 December 1932
Her initial shock at the height had faded, but if Frances moved close to the edge, if she tipped her head over the waist-height balustrade, the hysterical sensation returned. A few months ago she would have been terrified. Tonight she was captivated. All around, skyscrapers seemed to grow and thrust, dwarfing the cowering tenements at their feet. Fog clung to the tips of the highest towers. Snatches of street-level noise sailed up – blasting car horns, workmen shouting on their way home, swing bands tuning up in the ritzy joints on Broadway. She could see why people jumped. The city seduced from up here, as though instead of dying on the fresh asphalt, you might leap right into the electric heart of life itself. She bent forward, vertigo swelling. It was impossible to see them from here, but she could imagine the doomed washing lines criss-crossing her crumbling street, hundreds of feet below. Soon they’d be torn down, two weeks’ notice: she wondered where everyone would hang their clothes.
The wind tugged and pulled, threatening to push her off with icy hands. She stepped back and wrapped Stan’s overcoat around her more tightly, glad she had brought it, comforted by the sharp sensation that her own arms were his. Leaning her head to one side, touching her chin to the rough grey wool, she imagined it was his shoulder. The smell of his Luckies was burnt into the fabric. She sucked in the fading fumes, wishing with each shaking breath that she could smell the smoke fresh from her brother’s mouth again.
For the hundredth time since they’d made their promise, she wondered if she and Agnes were really going to go through with it, if she was brave and terrible enough, until a sudden gust almost stole her hat and she only just caught it, struggling with dead fingers to pull out the pins as it twisted and strained. Free
at last, her hair whipped her eyes. Tears fell. She hoped she’d feel better once they’d done it, she couldn’t bear the thought of this sadness sticking to her for ever. Agnes had looked at her strangely when she’d suggested they both might feel more normal afterwards. She’d gazed at the dregs of her coffee and told Frances that wasn’t the point. Then she’d said she didn’t know how they would feel but that either way it was the right thing to do. That was all that ever mattered to Agnes. Doing the right thing. Frances shivered, thrust the felt deep into Stan’s pocket, creases be damned, and turned, ears hollowed by the wind, breath caught, determined to take it all in. If this was the first and last time she was going to see her city from up here, if tonight was everything, then she must stain her mind with the sight of it. The dimming sky looked as though it had been stripped from the heavens and ironed flat: a thousand lit windows scattered like sequins on the dress of the night. Agnes called to her from inside. Finally. She had said it would only take thirty minutes. Fifteen to set up, fifteen for the exposure. She’d already been up here longer and Frances was getting all balled up. He should be here soon.
‘Have you still got it?’ Agnes called again.
‘Yes,’ Frances shouted, pushing the word away before the wind could throw it back.
And yet still she didn’t move. One last look. She needed a smoke to mark the occasion. Undoing the button on Stan’s other pocket, she pushed her hand in, rooting around just in case. Her fingers trembled as they brushed against damp cotton, loose matchsticks and a few mucky dimes. Finally, she caught hold of something. It wasn’t a ciggy, it was the note. She pulled it out, fumbling in the cold. Whatever happened, she mustn’t let it go. It was only a few lines, but they’d spent so long agonising over the words. The right tone. The most convincing lie. Without it no one would believe them. As soon as that filthy hood arrived, they’d persuade him on to the balcony. Agnes would distract him so Frances could press the note into his pocket. Then they’d both shove him over the edge with all their might.
'ONE NIGHT, NEW YORK transports the reader to the glitter and the danger of old New York. A page-turner with style.' ERIN KELLY
'ENTHRALLING' THE TIMES, BEST NEW HISTORICAL FICTION
A THRILLING DEBUT NOVEL OF CORRUPTION AND MURDER, SET IN THE NIGHTCLUBS, TENEMENTS AND SKYSCRAPERS OF 1930s NEW YORK - FROM THE WINNER OF THE VIRAGO/THE POOL NEW CRIME WRITER AWARD.
At the top of the Empire State Building on a freezing December night, two women hold their breath. Frances and Agnes are waiting for the man who has wronged them. They plan to seek the ultimate revenge.
Set over the course of a single night, One Night, New York is a detective story, a romance and a coming-of-age tale. It is also a story of old New York, of bohemian Greenwich Village between the wars, of floozies and artists and addicts, of a city that sucked in creatives and immigrants alike, lighting up the world, while all around America burned amid the heat of the Great Depression.
'An atmospheric portrait of a city in the grip of the Great Depression as well as a compelling crime story' GUARDIAN
'Thompson's impressive debut delivers a beautifully detailed and multifaceted account of Jazz Age New York' IRISH TIMES
'An assured debut so evocative you can almost smell the bathtub gin wafting off the pages' RED MAGAZINE