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On holiday in the North Devon countryside, Neil Langton looks back on the wreckage of his past. He has come to believe that all happiness is behind him; the wounds from his former marriage – in which his wife cheated on him and his young daughter died – are still raw. While rock-climbing, he meets Ellen, a young woman whom he saves from a mountainside accident. Ellen, too, is looking to escape her painful past, struggling to deal with her feelings for the man she loved – a pilot who died in service. Set in postwar Britain, and filled with a memorable cast of characters, North Face is a love story rich in atmosphere and tension.

Vivian, a student nurse, chose her profession as a challenge, both to her spirit and to her permanently exhausted body; Mic immerses himself in his work at the hospital to ward off the emotional wounds of an unhappy childhood. Through Jan, Viv’s beloved older brother, they meet, and their friendship turns into a secret romance. Secret because, if discovered, it would cost them their jobs.

Despite the discipline and rigid hierarchy imposed by the hospital, their passion takes root, but between them hangs the tantalising and enigmatic shadow of Jan.

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ MADELINE MILLER

Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ HILARY MANTEL


In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts.

Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer’s unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.

‘There’s much to say about her interweaving of myth and history and, just as interestingly, there’s much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever’ – Sam Jordison, Guardian

‘All my sense of the ancient world – its values, its style, the scent of its wars and passions – comes from Mary Renault. Her Theseus novels are perhaps the most exciting of her Greek fictions, and The Last of the Wine the most moving. I turned to writing historical fiction because of something I learned from Renault: that it lets you shake off the mental shackles of your own era, all the categories and labels, and write freely about what really matters to you’ EMMA DONOGHUE

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ MADELINE MILLER


Combining the scholarship of a historian with the imagination of a novelist, Mary Renault masterfully brings the ancient world to life in this page-turning drama of the Peloponnesian War.

Alexias, a young Athenian of good family, comes of age during the last phases of the Peloponnesian War. The adult world he enters is one in which the power and influence of his class have been undermined by the forces of war. Alexias finds himself drawn to the controversial teachings of Socrates, following him even though it at times endangers both his own life and his family’s place in society. Among the great teacher’s followers Alexias meets Lysis, and the two youths become inseparable – together they wrestle in the palaestra, journey to the Olympic Games, and fight in the wars against Sparta. As their relationship develops against the background of famine, siege and civil conflict, Mary Renault expertly conveys the intricacies of classical Greek culture.

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ HILARY MANTEL

‘The most vivid and convincing reconstruction of ancient Greek life that I have ever seen’ Sunday Times

‘Renault’s masterpiece. One of the greatest historical novels ever written’ SARAH WATERS

In the second novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

The Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ Hilary Mantel

‘The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault’s] career . . . Renault’s skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It’s a literary conjuring trick like all historical fiction – it can only ever be an approximation of the truth. But in Renault’s hands, the trick is so convincing and passionately conjured. Nowhere is this more evident than in The Persian Boy . . . Bagoas is a brilliant narrator. Rendered unreliable by his passion, he is always believeable and sympathetic . . . His Persian background allows him to see the king and his Macedonians through the questioning eyes of an alien’ – Antonia Senior, The Times

‘The Charioteer remains compelling both as a snapshot of a particular – and particularly fascinating – cultural moment, and as a deeply romantic story of love fulfilled against the odds. It has all those qualities that make Mary Renault so memorable as a novelist: craft, subtlety, intelligence, and a terrific natural sympathy with the intricacies of honour and desire’ SARAH WATERS

‘An explosive and courageous book’ SIMON RUSSELL BEALE

First published in 1953, The Charioteer is a tender, intelligent coming-of-age novel and a bold, unapologetic portrayal of homosexuality that stands with Gore Vidal’s The City and the Pillar and James Baldwin’s Giovanni’s Room as a landmark work in gay literature.


Injured at Dunkirk, Laurie Odell, a young corporal, is recovering at a rural veterans’ hospital. There he meets Andrew, a conscientious objector serving as an orderly, and the men find solace in their covert friendship. Then Ralph Lanyon appears, a mentor from Laurie’s schooldays. Through him, Laurie is drawn into a tight-knit circle of gay men for whom liaisons are fleeting and he is forced to choose between the ideals of a perfect friendship and the pleasures of experience.

‘Emotionally intelligent, beautifully written and deeply moving, it transcends categorisations’ Telegraph

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ HILARY MANTEL

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ MADELINE MILLER


Combining the scholarship of a historian with the imagination of a novelist, Mary Renault brings the ancient Greek stage thrillingly to life.

Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre’s golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato’s friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos’ eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.

‘All my sense of the ancient world – its values, its style, the scent of its wars and passions – comes from Mary Renault. I turned to writing historical fiction because of something I learned from Renault: that it lets you shake off the mental shackles of your own era, all the categories and labels, and write freely about what really matters to you’ EMMA DONOGHUE

‘There’s much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever’ – Sam Jordison, Guardian

‘The Alexander Trilogy contains some of Renault’s finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat’ SARAH WATERS

In the final novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India.

After Alexander’s death in 323 B.C. his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt. For no one possessed the leadership to keep the great empire from crumbling. But Alexander’s legend endured to spread into worlds he had seen only in dreams.

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ – HILARY MANTEL

‘The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault’s] career . . . Renault’s skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It’s a literary conjuring trick like all historical fiction – it can only ever be an approximation of the truth. But in Renault’s hands, the trick is so convincing and passionately conjured’ Antonia Senior, The Times

‘The Alexander Trilogy contains some of Renault’s finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat – Sarah Waters

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece to India. Fire From Heaven tells the story of the years that shaped him. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son’s loyalty, teaching Alexander politics and vengeance. His love for the youth Hephaistion taught him trust, while Aristotle’s tutoring provoked his mind and fuelled his aspirations. Killing his first man in battle at the age of twelve and commanding Macedon’s cavalry at eighteen, by the time his father is murdered, Alexander’s skills have grown to match his fiery ambition.

Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ Madeline Miller, bestselling author of Circe

‘Mary Renault is a shining light to both historical novelists and their readers’ Hilary Mantel, bestselling author of Wolf Hall

‘This brilliant retelling of the story of Theseus, the king of Athens, brings Greek mythology vividly to life and remains “one of the truly fine historical novels of modern times”‘ New York Times

Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery – can he really be the son of the god Poseidon? When he discovers his father’s sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus’s perilous journey to his father’s palace to claim his birthright, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.

Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets – Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier.

But there are surprises in store for conventional Elsie as her sister has a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat – and her bed – with Helen. When Peter pays a visit, turning his attention from one ‘friendly young lady’ to the next, he disturbs the calm for each of them – with results unforeseen by all . . .

Mary Renault wrote this delightfully provocative novel in 1943 partly in answer to the despair characteristic of Radclyffe Hall’s The Well of Loneliness. The result is this witty and stylish social comedy.

Losing out on a promotion to her ex lover, Hilary Mansell, a talented doctor, moves to a rural hospital. She is bored and unchallenged, but the routine and long hours dull her disappointment. When Julian Fleming is admitted with a serious head injury, Hilary’s skill and quick thinking save his life, and after his recovery he seeks her out. Julian is handsome, intelligent and a decade younger than Hilary, and although at first she resists his advances, she cannot help falling in love with him. Julian is a gifted actor but denies himself the career he longs for, and she senses that beneath his charm and humour something is holding him back. Before long, it becomes clear that his overbearing mother makes all the decisions in his life, and she doesn’t approve of his ambitions – or of Hilary.

Kit Anderson is married to Janet, a beautiful but narcissistic woman who seems more shallow to him as time goes by. Their relationship has become strained and cold. Immersing himself in his work as a doctor, Anderson takes consolation in his career. Then, one night he is called out to a dying patient, and meets Christie, who is taking care of her aunt. Warm and vivacious, Christie stands in stark contrast to Janet, providing the passion and intimacy that has been missing from his life.

How long can their affair be kept secret and does Kit want what is best for Christie, or only for himself? In this assured, vivid novel, Mary Renault showcases the talents that would make her one of the twentieth century’s most beloved novelists.

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ HILARY MANTEL

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ MADELINE MILLER

The sequel to The King Must Die. The Bull from the Sea continues the story of the hero Theseus after his return from Crete.

Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos – the sacrifice of noble youths and maidens to the appetite of the Labyrinth’s monster – Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: he still must confront the Amazons, capture their queen, Hippolyta, and face the tragic results of Phaedra’s jealous rage.

Piecing together the fragments of myth and using her deep understanding of the cultures reflected in these legends, Mary Renault has constructed an enthralling narrative of a time when heroes battled monsters and gods strode the earth.

‘There’s much to say about her interweaving of myth and history and, just as interestingly, there’s much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever’ Sam Jordison, Guardian

‘A truly great book. It is beautifully written, shrewdly observed and deftly crafted, but the novel’s real concern is what it means for a woman to live an authentic life’ Elizabeth Day

A chance encounter with the man who enchanted her as a teenager leads Olivia Curtis into to a forbidden love affair. He is now married, and Olivia’s life changes to one of secret meetings, brief phone calls and snatched liaisons in anonymous hotel rooms.

Years ahead of its time when first published in 1936, this subtle and powerful novel shocked it readers with its searing honesty and passionate portrayal of clandestine love.

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Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame