* ‘By opening this book, you’ve given Patricia Highsmith permission to follow you, catch you, take you apart. Get ready to run’ CARMEN MARIA MACHADO
* ‘Every story shimmers like a dark gem as Highsmith turns her gimlet eye on domesticity, suburban madness, toxic families and the loneliness of childhood. Often mordantly funny and always psychologically acute, this collection is not to be missed’ MEGAN ABBOTT
INTRODUCED BY CARMEN MARIA MACHADO
Patricia Highsmith was one of the great twentieth-century fiction writers, celebrated for classics The Talented Mr Ripley, Carol and Strangers on a Train, but she was also a masterful and prolific short-story writer. This definitive new collection, featuring two stories that have never been published before, reveals Highsmith as a genius of the genre. Peerlessly disturbing, exhilarating and savagely funny, Highsmith’s stories still have the power to startle, presenting a world that is frighteningly familiar and as relevant today as when they were written.
* Includes two newly discovered stories
* This is the only volume of Highsmith’s stories to select from a lifetime of short-story writing
‘Bright, funny, satirical and relevant. . . . A new talent to watch!’ MARGARET ATWOOD (via Twitter)
‘Bang-on brilliant’ MIRIAM TOEWS
This brilliant and bitingly funny novel-in-stories, set in and around a single crumbling apartment building in Soviet-era Ukraine, heralds the arrival of a major new talent.
‘A comic triumph’ GLOBE AND MAIL
A cast of unforgettable characters–citizens of the small industrial town of Kirovka–populate Maria Reva’s ingeniously entwined tales that span the chaotic years leading up to and immediately following the fall of the Soviet Union in 1989. Weaving the strands of the narrative together is an unforgettable, chameleon-like young woman named Zaya: an orphan turned beauty-pageant crasher who survives the extraordinary circumstances of her childhood through a compelling combination of ferocity, intelligence, stubbornness and wit.
Inspired by her own family’s history, Reva’s Good Citizens Need Not Fear takes us from paranoia to tenderness and back again, exploring what it is to be an individual amid the roiling forces of history.
‘Luminous’ YANN MARTEL
‘Outstanding’ ANTHONY DOERR
‘Maria Reva’s enthralling debut of interlinked short stories achieves the double effect of timelessness and timeliness’ KAPKA KASSABOVA, GUARDIAN BOOK OF THE DAY
This collection of wartime stories includes some of the finest writers of a generation. War had traditionally been seen as a masculine occupation, but these stories show how women were equal if different participants. Here, war is less about progress on the frontline of battle than about the daily struggle to keep homes, families and relationships alive; to snatch pleasure from danger, and strength from shared experience. The stories are about saying goodbye to husbands, lovers, brothers and sons – and sometimes years later trying to remake their lives anew. By turn comical, stoical, compassionate, angry and subversive, these intensely individual voices bring a human dimension to the momentous events that reverberated around them and each opens a window on to a hidden landscape of war.
Writers include: Jean Rhys, Beryl Bainbridge, Elizabeth Bowen, Elizabeth Taylor, Stevie Smith, Rosamond Lehmann, Barbara Pym, Angela Thirkell, Sylvia Townsend Warner, Dorothy Parker, Doris Lessing, Olivia Manning, Rose Macaulay and Stevie Smith
A collection of short stories from the author of “Twenty One Poems” and “Three Poems”.
A. S. Byatt’s comment that Ruth Fainlight’s poems ‘combine Alice Munro’s virtues with something more archaic and also, in exact clear words, give us a truly new vision of usual and mysterious events’ can be applied with equal force to this collection of stories. Acutely precise and elegant, they move from vivid evocations of an American childhood and close studies of amoral expatriate life to erotic humour and black fantasy. The breakdown of a middle-aged man when the ghost of his mother, who perished in the Holocaust, returns to haunt him; the unexplained midnight arrival of three likely terrorists at the comfortable English village house of a university professor; a woman’s half-reluctant marriage to her daughter’s fiance: all these stories demonstrate Ruth Fainlight’s uncompromising subtlety of style, and the range of her sympathies and imagination.
Funny, irreverent, dark, and tender – a startling and sexy debut collection. Women (and men) cope with foreign marriages in Elena Lappin’s shrewd domestic comedies of the absurd, set in London, New York, and a constellation of European and Israeli cities. Transplanted across oceans and ensconced in strange houses where appliances malfunction and husbands are not what they seem, women like Noa, Vera, and Paula settle into lives of persistently unfamiliar routine, stirred up from time to time with a very crooked stick. In ‘Noa and Noah’, Noa, an Israeli, has been married for two years before her English improves and she realizes that her British husband, Noah, is not a glamorous young businessman but a dull junior debt collector. In revenge she begins to frequent a nonkosher butcher-and that’s just the beginning. Vera, a Russian, married to an unsuccessful British butler, takes to cab driving and extortion in ‘Peacock’; Paula, a German, married to her dead best friend’s husband, writes stories and snorts cocaine in ‘Bad Writing’. With perfect pitch and a poker face, Lappin writes insidiously funny tales about love and survival in an international no-man’s-land of marriage.
On their first publication, Isabel Bolton’s novellas won high praise from such reviewers as Edmund Wilson and Diana Trilling (who in 1946 called her ‘the most important new novelist in the English language to appear in years’). Highly poetic, evocative stories of city life, the characters in these novellas are mirrored by the complexities of New York itself. Out of print for many years, New York Mosaic, brings together the finest fiction from this unique and timeless writer.
Here is a wonderful collection of short stories by the writer known for ‘the Mackay vision, suburban – as kitsch, as unexceptional, and yet as rich in history and wonder as a plain Victorian terrace house, its threshold radiant with tiling and stained-glass birds of paradise encased in leaded lights’ – Guardian.
Shena Mackay, who first came to fame before the age of twenty with two novellas, is the doyenne of the short form. In this volume of previously uncollected stories – including those read on radio – she constantly surprises with a view of the ordinary world that is not at all ordinary.
A grasshopper determinedly takes up residence on a bathroom ceiling; a gecko hiding in a cupboard brings a strange sort of luck; a woman spies from a distance two older women friends after many long years and a memory of how they gallopedin the playground as Starlight Blaze and Pepperpot plays sweetly, suddenly in her mind; pigs are swaddled in blankets, looking like babies in shawls; luggage is packed with youthful hopes and ideals.
She observes how people rub along and reveals the best and worst of us all: a disgruntled schoolboy and his hapless teacher conquer mountains and their antipathy for each other; a girl with green eyes and iridescent hair discovers revenge; a race to be the best mushroom-picker creates only losers; and rotten apples, in the right pair of hands, make a loving pie.
Shena Mackay is a generous and keen-eyed chronicler of the everyday; she deftly brings wisdom and humour to the worlds she creates, worlds that we suddenly, excitingly see anew. She is an utterly original writer.
I’m a short story addict, both reading and writing them, and I always keep hoping for the perfect story.’ (Janet Frame to Tim Curnow, January 1984)
THE DAYLIGHT AND THE DUST is the most comprehensive selection of Janet Frame’s stories ever published, taken from the four different collections released during her lifetime and featuring many of her best stories. Written over four decades, they come from her classic prize-winning collection THE LAGOON AND OTHER STORIES, first published in 1952, right up to the volume YOU ARE NOW ENTERING THE HUMAN HEART, published in the 1980s. This new selection also includes five works that have not been collected before.
Janet Frame’s versatility dazzles. Her themes range from childhood to old age to death and beyond. Within the pages of one book the reader is transported from small town New Zealand to inner-city London, and from realism to fantasy.
This volume offers the most comprehensive collection of Janet Frame’s unique and powerful writing.
FROM THE BESTSELLING AUTHOR OF REBECCA
*’One of the most shocking plot twists in all of literature. It hits you like a freight train’ GILLIAN FLYNN
John and Laura have come to Venice to try and escape the pain of their young daughter’s death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events.
The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father’s past, a party of pilgrims who meet disaster in Jerusalem and a scientist who harnesses the power of the mind to chilling effect.
In An Unrestored Woman, the partition of India and Pakistan in 1947 cuts a jagged path through the lives of ordinary women and men, leaving ripples of sorrow through time and space. Each couplet of stories spans the Indian subcontinent, from refugee camps and torched trains to the spacious verandas of the British Raj, and billows into the wider world. An old woman recounts the murdering of what was most precious to her, and the many small cuts that led her to that act. A girl forced into prostitution wields patience as deftly as a weapon, and manages to escape her fate. An Indian servant falls in love with his employer, and spins a twisted web of deceit.
The characters in these fearless stories stumble – occasionally towards love, more often towards survival – and find that history, above all, is their truest and greatest opponent. And what emerges, in the midst of newly erected barriers, boundaries, and nations, is a journey into the centre of the only place that matters – the human heart.
By the author of THE HANDMAID’S TALE and ALIAS GRACE
A beautifully bizarre assortment of short stories and prose poems. Writing on an eclectic range of subjects from ‘Bread’ and ‘Strawberries’, to ‘Fainting’ and ‘Women’s Novels’, Margaret Atwood brings her astonishing world view to the comings and goings of ordinary life. The pretentious male chef is taken down a peg, a gang of cynical five year olds concoct a poisonous brew; and knowing when to stop is of deadly importance in a game of Murder in the Dark.
Praise for Murder in the Dark:
These vignettes glow with the usual Atwood magic of intelligence … an exhilarating performance, full of sharp pleasures for the mind -BRITISH BOOK NEWS
‘A brilliant and witty writer’ –COSMOPOLITAN
‘Direct, unpretentious, humorous’ -SUNDAY TIMES
Delicious and dangerous, this collection of fairy tales is a glorious tribute to women with ‘do what thou wilt’ bravado – those who dare to wear the breeches. They shed their female garb (and modesty) and don the male’s role to save king, country, kin, and their own lives or for revenge, love, power and a good time. Shahrukh Husain’s tales from around the world – riddles, battle triumphs, bawdy and moving stories – prove that no heroine, or hero, is as exciting and daring as the irresitible cross-dresser of fairy tales.